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Project Statement

by J. Drucker


I moved to Dallas in 1986 to take a job at the University of Texas at Dallas (actually located in Richardson, north of the city). The landscape of that grim metropolitan environment, suffering from a post-boom downturn in the economy, seemed resistant to description in any familiar mode of literary form. The notion of a bookscape came to mind as a way of describing and detailing the confusing disorientation induced by the empty artifice of the place. This initial publication of the text was brought about by invitation from Peter Ganick. But the larger project involved creation of a large, unique book object, a hand-made box, covered in gold, with small silver boxes inside, each of which was an object with text. The box contained two layers of book objects in their boxes, and was meant to have the look of a Neiman Marcus or other expensive, luxury store package. The book objects were all made with found materials, with texts and lettering produced in a wide variety of ways -- using straight pins, broken glass, hand lettering, press type, typewriter, etc. Each object had an archetectonic form, suggestive of the buildings populating the Dallas landscape. They could be set up on a table top to create a "bookscape." Conception of that project took place as a response to the question: "What is a literary form appropriate to these times?" The book object was finished only in the summer of 1988, a long hot May and June, while the streets outside my apartment were being repaved with steaming asphalt, and I sat in front of a television and worked days on end to finish production before packing the book box and leaving Dallas. The book box was bought by the Getty after I had an exhibition at Granary Books.

Bookscape

Johanna Drucker

title note: The pun is obvious. [J. Drucker]

Agents

Johanna Drucker

type: initiating

role:
author
designer

nationality:
born: United States
active: United States
citizenship: United States

dates:
birth: 1952-05-30


Publication Information

publisher: Abacus, Potes and Poets Press Inc.

dates:
publication: 1988-00-00

publisher: A single, uneditioned, unique work, not published.

dates:
publication: 1988-00-00

publication history: Two editions of this work were produced, this and a deluxe, unique book work. [J. Drucker]

Aesthetic Profile

movement:
unknown

subject:
artists' books (LCSH)

themes: The Dallas Landscape and mismatch between that experience and conventional modes of writing. [J. Drucker]

content form:
experimental text (local)

publication tradition:
artists' book (local)

inspiration: [J. Drucker]

related works: My books on Italy (1980), Cuba (2005), and other travel narratives (mainly unpublished, but the Paris Texts (1984-85), and the Italy (2003) text are all works that grapple with the problem of representing the experience of a place through conventions of literary form. [J. Drucker]

other influences: Samuel Butler's Erewhon. [J. Drucker]

community: other Poetry communities, though distant, were still vital to my sense of definition of the project and my work. [J. Drucker]

Exhibition Information

exhibition history: In exhibitions of my books.

Related Documents

manuscript type: texts

location: artist's archive

note: Original texts, versions, edits all in existence.


manuscript type: correspondence

location: artist's archive

note: In existence.


manuscript type: mockups

location: artist's archive

note: Paste-ups and tests.