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Project Statement
by K. Bucher
The publication of Sunnydell Farm by Visual Studies Workshop in 2004 came about after a long journey starting in the early 1990s with photographs that I took documenting my mother and the family farm in Pennsylvania. Back then, when I exhibited the photos, I felt it was important to include texts from some of my journal writings. Logically a book was a solution to contextualize the photos in my family's history and a somewhat broader social or cultural history. I started gathering materials from the house and writing down some of my mother's conversations with me. As I put together ideas and images associated with the photos, the pages of the book became rather complex and layered. They suggested to me the pages of the women's magazines that my mother has always subscribed to and which are loaded with a flow of images and text. I wanted the finished book to have the look and feel of other common books in the house--children's books with spiral bindings--or manuals or pamphlets.
Sunnydell Farm
Karen Bucher
Agents
Karen Bucher
type: initiating
role:
artist
author
photographer
publisher
nationality:
active: United States
dates:
publication: 2004-00-00
Visual Studies Workshop Press
type: other
role:
publisher
Publication Information
publisher: Visual Studies Workshop Press
dates:
publication: 2004-00-00
publication history: One edition of 300 copies, distributed by the artist and Visual Studies Workshop Press [T. Shaw]
Aesthetic Profile
movement:
unknown
subject:
autobiography (AAT)
history (AAT)
themes: Individualism within familial, religious, regional, and labor instituions [T. Shaw]
content form:
memoir (AAT)
publication tradition:
artists' book (local)
inspiration: Journal writings, family photos, women's magazines, children's books and other domestic objects from collections [T. Shaw]
related works: My Mother's Book by Joan Lyons [T. Shaw]
other influences: Women's histories, biographies and autobiographies [T. Shaw]
Related Documents
manuscript type: other
location: artist's archive
General Comments
This book is connected to a body of photographic prints of the same thematic material and name. [T. Shaw]
